Table of Contents
| PREFACE | ||
| PART I: | DOT.COMMONS | |
| CHAPTER 2: | BUILDING BLOCKS: “COMMONS” AND “LAYERS” | |
| THE COMMONS | ||
| LAYERS | ||
| CHAPTER 3: | COMMONS ON THE WIRES | |
| CHAPTER 4: | COMMONS AMONG THE WIRED | |
| CHAPTER 5: | COMMONS, WIRE-LESS | |
| CHAPTER 6: | COMMONS LESSONS | |
| PART II | DOT.CONTRAST | |
| CHAPTER 7: | CREATIVITY IN REAL-SPACE | |
| CREATIVITY IN THE DARK AGES | ||
| The Arts | ||
| Content | ||
| Physical | ||
| Code | ||
| COMMERCE | ||
| Coding | ||
| Markets | ||
| CHAPTER 8: | INNOVATION FROM THE INTERNET | |
| NEW PRODUCTS FROM THE NET | ||
| HTML Books | ||
| MP3 | ||
| Film | ||
| Lyric Servers and Culture Databases | ||
| NEW MARKETS | ||
| NEW MEANS OF DISTRIBUTION | ||
| my.mp3.com | ||
| Napster | ||
| NEW DEMAND | ||
| NEW PARTICIPATION: P2P | ||
| PART III: | DOT.CONTROL | |
| CHAPTER 9: | OLD VS. NEW | |
| CHAPTER 10: | CONTROLLING THE WIRES (AND HENCE THE CODE LAYER) | |
| THE END-TO-END IN TELEPHONES | ||
| FAT PIPE | ||
| AT&T CABLE | ||
| CHAPTER 11: | CONTROLLING THE WIRED (AND HENCE THE CONTENT LAYER) | |
| INCREASING CONTROL | ||
| Copyright Bots | ||
| CPHack | ||
| deCSS | ||
| iCraveTV | ||
| MP3 | ||
| Napster | ||
| Eldred | ||
| CONSEQUENCES OF CONTROL | ||
| CHAPTER 12: | CONTROLLING WIRE-LESS (AND HENCE THE PHYSICAL LAYER) | |
| CHAPTER 13: | WHAT’S HAPPENING HERE | |
| CHAPTER 14: | ALT.COMMONS | |
| THE PHYSICAL LAYER | ||
| Free Spectrum | ||
| Free Highways | ||
| THE CODE LAYER | ||
| Neutral Platforms | ||
| THE CONTENT LAYER | ||
| Copyright | ||
| Five-Year Renewable Terms | ||
| Software Copyright | ||
| Protecting Innovation | ||
| Protecting Music | ||
| Rebuilding the Creative Commons | ||
| Limits on Code | ||
| Limits on Contract | ||
| Limit Commercial Exploitation | ||
| Patents | ||
| Moratorium | ||
| Damages | ||
| Reform | ||
| CHAPTER 15: | WHAT ORRIN UNDERSTANDS | |
| END NOTES |
In the meantime, if you really want to read the book, be sure to head down to your favorite bookstore and buy the book. Or you can buy it online, if that suits your purposes better. Thanks for your patience.